Isolation is a state in which one is separate from others, the opposite of integration. Within Frankenstein, the idea of family can enhance our understanding of isolation. Both Frankenstein and the monster lack a traditional familial structure, whether a mother or loving creator. This absence is presented as traumatic through lamentations and character monologues. We can also consider the significance of location within the narrative, coinciding with the gothic genre. Shelley contrasts isolation in nature with the integration of community. Nature is presented as a “beautiful” place of solace but also as frightening and “violent”. Shelley uses this lexis to describe “lightning”, the force which brought the monster to life. We can link this to the idea of galvanism and perspectives on nature, including the debate as to whether humans intervene in nature or whether human activity is a part of it. The idea of man as separate from nature enhances the story’s message that human transgressions of natural order can cause monstrosities, as Frankenstein did. Having considered these perspectives we can conclude that Shelley presents isolation as, not only a temporary sensation, but a potentially character defining trauma. An overarching theme here is the transgression of boundaries. Frankenstein explores how our familial, geographical and intellectual isolation can take its toll, physically and psychologically. In this way, isolation is highly significant as it allows Shelley to present the boundaries of man and their vulnerabilities.